The band’s latest intersperses typically gripping narratives about trauma, heartbreak, and nature with a newfound levity both musical and lyrical, an element of Lenker’s songwriting that the band was particularly keen on foregrounding this time around. (“It’s actually captured, or archived, energy of that ice in that winter in that point of the world,” says Lenker.) The sessions were so exploratory that the band found themselves, at one point, recording the sounds of shattering icicles on the title track. During the dark days of the summer 2020 lockdown, Lenker, guitarist Buck Meek, drummer James Krivchenia, and bassist Max Oleartchik spent five months recording in locations that ranged across the continental U.S., from the Arizona desert and the Colorado mountains to upstate New York and Los Angeles. No album’s recording process has felt more radically raw than the one for Dragon New Warm Mountain I Believe in You, the 20-song double LP Big Thief will release in February. ![]() “One of the reasons they’re so fascinating is that everything is at a really, really high bar.” “It’s really lovely to witness a purely motivated art collective kicking ass,” says Wilco’s Jeff Tweedy, a longtime fan of the band. and Two Hands, the experimental folk-rock quartet became the type of indie favorite that sells out theaters, gets nominated for Grammys, and conjures a bit of inevitable backlash along the way. In the past few years, Big Thief have started to get played in quite a few coffee shops, among other places. “And now, here in this coffee shop, it’s just completely blended into the blur of everything. “I just feel like, ‘Man, I remember recording that song and how radical it felt, how raw it felt, like we were ripping something open,’ ” she says. When Big Thief’s Adrianne Lenker hears her band’s music in the background at a cafe, she winces.
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